Kasey Jueds
Limestone, Shale, Flint
What called out to me then: meadowlark fervent
on fence-wire, the train whistle’s long
relinquishing. Landlocked, with the narrow creek
for company, its headlong glitter
and going. Humped shapes of bison
trundled calm as saints, bending to the necessary
grasses, while on the other side of fence
I bent to all the names I didn’t know, the wind-chastened flowers
mauve and pink and blue: I searched their petals
inside my book, then the manifold
ground. Sunburned, that first day: fingertips pressed
against my forearms called up colorless moons,
phantom planets briefly visible before the scarlet
flooded back. All around, the fields in flood, water where it shouldn’t
bide. Grasses silvered in the afterworld
of storm. Grasses lucid with almost. The prairie
of them an ocean, once, built
from what the water left: limestone, shale,
the flint that stayed to name those hills,
too unyielding for tractors to tame. Roots
of bluestem constantly turn the earth, net themselves
under every taken step, every passage
imagined or true. Blanketed, people say
of grassland gone, the miles of continent
it covered once, swaddling the planet as if it were child.
Comfort me: I peered through an abandoned
farmhouse window, rippled glass
giving onto the shadowed bulk of chairs, an open door
leading from that room to some deeper dim
beyond. Foxed mirrors offered outlines
of the ghosts I half-believed in, and I turned back
toward the animals I couldn’t see: the elusive
foxes, and the rabbits grass-sheltered, safe for a moment
in the day’s flash and shine. There was a safety
in the switch grass I touched, the wild rye: all afternoon
my hand closed gently over seedheads, then let go
as silence shifted in the gone
train’s wake. Empty space between
blades of grass: what the wind loves. What I loved
was something distant, and something very
close, and I knew their names were the same. I thought
cleave, that old-fashioned word, I asked silos
on the horizon to remind me. I drove away
between flooded fields, where water
which had nowhere else to go
gathered itself and shone.
Back to Issue XI…
Kasey Jueds is the author of two collections of poetry, both from the University of Pittsburgh Press: Keeper, which won the 2012 Agnes Lynch Starrett Prize, and The Thicket. She lives on ancestral Lenape land in a small town in the mountains of New York State.