Michael Lauchlan
After the Windstorm
I find myself chainsaw in hand
endeavoring to cut the present moment
away from the past not
because it seems wise or even
possible but because this task has always
been coming–the growling machine
and the quick breath of storm that began
with an insuck of heat over cornfields
a thousand miles to the west and the willow
not waiting but rotting the wide
white fungus and the opening bark
but also new suckers and fronds
reaching down down in the greenest shade
offering shape to each slightest breeze
as partiers sway together and apart
just before closing time at a campus bar
What can a split tree mean
to a fox who scrounges here at night
or to children cycling past saying wait
isn’t something somehow different
Soon the hibiscus blooms will turn
toward the east the open sky the sun
Thinking of Wormholes
and entanglement and spooky action at a distance,
I’m sure I comprehend little of the world,
the underpinnings of my life, and of all I claim
to know. Even gravity remains a mystery, though
I’ve had experience falling, once
from a ladder in a leaky bathroom, a reciprocating saw
still reciprocating as, together, we dropped
toward a ceramic conjunction. Gravity is convincing.
I may grasp, but I don’t quite understand
how the large mass of earth pulls on the small
mass of me. I take it on faith and inhabit
a realm of apprehending and being apprehended.
A woman kissed me one night in the front room
of an old house she rented, the lights of the bridge
to Canada winking at us through her windows
while a force in the spinning electrons of her lips
tore open a cosmic clock so that forty years,
replete with children, grandchildren, and jobs, could
tumble by. So it seems. Particles of the past
change each time we visit them.
Back to Issue X…
Michael Lauchlan has contributed to many publications, including New England Review, Virginia Quarterly Review, North American Review, Valparaiso Poetry Review, Sugar House Review, The Louisville Review, Poet Lore, Lake Effect, Bellingham Review, and Southern Poetry Review. His most recent collection is Trumbull Ave., from WSU Press (2015).