Martha Silano
Mirabile dictu
La Traviata reminds me my mother is a corpse.
Those first few days the birds came so close,
a yellow warbler while I ate my ham on rye.
Now, a cloud is giving the moon a black eye.
Which clothes was she buried in I do not ask.
Who touched my mother last?
I’m a being chased by birdsong: sparrow, bunting, wren.
This is neither nightmare nor game.
Though they lace my kale, I do not brain the snails.
She’s underground. Surrounded by a wooden fence.
The fog is giving the night a reason to feel safe.
So sorry, little flower, for not knowing your name.
That week she became the heron in the muck;
that week a chickadee landed on our truck.
She who was not my compass, not my map.
Gray
I have seen enough gray for one day,
in the steel-gray clouds, threatening
in the east. In the wistful trill of a sparrow,
on the floating dock where a dozen
glaucous-winged gulls preen.
I have seen enough bleached logs,
enough undersides of silver-fir fronds,
enough buoys and sailboats (masts down),
enough clam shells and smooth, round rocks.
I have sat long enough on a plank of wood
balanced on two stumps, gazing at a tree trunk
in the momentary sun, imagining my gray-
whiskered father in a room in a bed all alone,
his brain a cement lump, his ashen body cold.
Martha Silano’s fifth collection is Gravity Assist (Saturnalia Books, 2019). She is also co-author, with Kelli Russell Agodon, of The Daily Poet: Day-by-Day Prompts for Your Writing Practice. Martha’s poems have appeared in Poetry, Paris Review, American Poetry Review, and the Best American Poetry series, among others. Honors include North American Review’s James Hearst Poetry Prize and the Cincinnati Review’s Robert and Adele Schiff Poetry Prize. She teaches at Bellevue College and Seattle’s Richard Hugo House. marthasilano.net