Tina Schumann
Just Yesterday the Crows
perched like punctuation
in the cucumber trees,
maybe thirty of them,
prompted the question:
what constitutes a murder?
More than two?
Turns out three—enough to eat
a dead knight, according to
English folklore.
Just this week, surveyors
uncovered the skeletons
of three prehistoric children
cuddling in a grave near Stonehenge—
two three-year-olds holding hands
and a twelve-year-old embracing them.
They were interred with toys
for the afterlife: a chalk drum,
a clay ball, and a bone pin.
How do I praise all that is
gone too soon? Morning,
noon, and night
the neighbor's garden gargoyles
hold their stone faces
in wonderment.
Each buried in a hedge grove,
they seem petrified
into stunned silence.
At dusk my mind returns
to that huddle of children
in a cemetery
said to be in use
for over a thousand years.
Their families must have visited
in homage for as long
as their lives allowed—believing
that time, like a murder of crows
circles in on itself
and night comes
for everyone.
Back to Issue IX…
Tina Schumann is the author of three poetry collections, Praising the Paradox (Red Hen Press), Requiem: A Patrimony of Fugues (Diode), winner of the Diode Editions Chapbook Competition, and As If (Parlor City Press), awarded the Stephen Dunn Prize. She is editor of Two Countries: U.S. Daughters and Sons of Immigrant Parents (Red Hen Press). Schumann’s work received the American Poet Prize from The American Poetry Journal, finalist status in Terrain.org, as well as honorable mentions in The Atlantic, Crab Creek Review, and for the Allen Ginsberg Award. She is Poetry Editor for Wandering Aengus Press. Her poems have appeared widely since 1999, including in The American Journal of Poetry, Ascent, Cimarron Review, Hunger Mountain, Michigan Quarterly Review, Nimrod, Poetry Daily, Rattle, Verse Daily, and read on NPR’s The Writer’s Almanac. www.tinaschumann.com