Tina Schumann

Just Yesterday the Crows


perched like punctuation 
in the cucumber trees, 
maybe thirty of them, 

prompted the question: 
what constitutes a murder? 
More than two? 

Turns out three—enough to eat
a dead knight, according to 
English folklore. 

Just this week, surveyors 
uncovered the skeletons
of three prehistoric children 

cuddling in a grave near Stonehenge—
two three-year-olds holding hands
and a twelve-year-old embracing them. 

They were interred with toys 
for the afterlife: a chalk drum, 
a clay ball, and a bone pin. 

How do I praise all that is 
gone too soon? Morning, 
noon, and night

the neighbor's garden gargoyles 
hold their stone faces 
in wonderment. 

Each buried in a hedge grove, 
they seem petrified
into stunned silence. 

At dusk my mind returns
to that huddle of children 
in a cemetery

said to be in use
for over a thousand years. 
Their families must have visited

in homage for as long 
as their lives allowed—believing
that time, like a murder of crows

circles in on itself 
and night comes 
for everyone. 

Back to Issue IX…


Tina Schumann is the author of three poetry collections, Praising the Paradox (Red Hen Press), Requiem: A Patrimony of Fugues (Diode), winner of the Diode Editions Chapbook Competition, and As If (Parlor City Press), awarded the Stephen Dunn Prize. She is editor of Two Countries: U.S. Daughters and Sons of Immigrant Parents (Red Hen Press). Schumann’s work received the American Poet Prize from The American Poetry Journal, finalist status in Terrain.org, as well as honorable mentions in The Atlantic, Crab Creek Review, and for the Allen Ginsberg Award. She is Poetry Editor for Wandering Aengus Press. Her poems have appeared widely since 1999, including in The American Journal of Poetry, Ascent, Cimarron Review, Hunger Mountain, Michigan Quarterly Review, Nimrod, Poetry Daily, Rattle, Verse Daily, and read on NPR’s The Writer’s Almanac. www.tinaschumann.com